BEGIN:VCALENDAR VERSION:2.0 PRODID:-//The School of Sound - ECPv6.17.4.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:The School of Sound X-ORIGINAL-URL:https://www.schoolofsound.co.uk X-WR-CALDESC:Events for The School of Sound REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/London BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20241027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20251026T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/London:20241203T180000 DTEND;TZID=Europe/London:20241203T200000 DTSTAMP:20241204T221817Z CREATED:20240930T094917Z LAST-MODIFIED:20241204T221817Z UID:10000039-1733248800-1733256000@www.schoolofsound.co.uk SUMMARY:Film as composition & music as an historical agent of change - Part 1 DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/film-as-composition-music-as-an-historical-agent-of-change-part-1/ CATEGORIES:Talks ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2024/09/MV5BZDE3MjRjYzctYjM4ZS00MDVlLThiOGYtZGE4NTNmODNlOWE3XkEyXkFqcGc@._V1_QL75_UX1640_.jpg ORGANIZER;CN="The School of Sound":MAILTO:sos@schoolofsound.co.uk LOCATION:https://www.schoolofsound.co.uk/event/film-as-composition-music-as-an-historical-agent-of-change-part-1/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20241130T190000 DTEND;TZID=Europe/London:20241130T210000 DTSTAMP:20250311T092619Z CREATED:20240930T134446Z LAST-MODIFIED:20250311T092619Z UID:10000043-1732993200-1733000400@www.schoolofsound.co.uk SUMMARY:David Lynch's Soundtracks DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/david-lynchs-soundtracks/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2024/09/sos_lynch-scaled.jpg ORGANIZER;CN="The School of Sound":MAILTO:sos@schoolofsound.co.uk LOCATION:https://www.schoolofsound.co.uk/event/david-lynchs-soundtracks/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20241120T190000 DTEND;TZID=Europe/London:20241120T210000 DTSTAMP:20241215T162042Z CREATED:20240930T153129Z LAST-MODIFIED:20241215T162042Z UID:10000044-1732129200-1732136400@www.schoolofsound.co.uk SUMMARY:Screenwriting For Sound DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/screenwriting-for-sound/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2024/09/Randy-Headshot-16.9-crop-scaled.jpeg ORGANIZER;CN="The School of Sound":MAILTO:sos@schoolofsound.co.uk LOCATION:https://www.schoolofsound.co.uk/event/screenwriting-for-sound/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20241111T190000 DTEND;TZID=Europe/London:20241111T210000 DTSTAMP:20241118T172447Z CREATED:20240930T131816Z LAST-MODIFIED:20241118T172447Z UID:10000042-1731351600-1731358800@www.schoolofsound.co.uk SUMMARY:Stanley Kubrick's Soundtracks DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/stanley-kubricks-soundtracks/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2024/09/sos_sk-copy.jpg LOCATION:https://www.schoolofsound.co.uk/event/stanley-kubricks-soundtracks/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240617T160000 DTEND;TZID=Europe/London:20240617T180000 DTSTAMP:20240724T102101Z CREATED:20240324T204228Z LAST-MODIFIED:20240724T102101Z UID:10000036-1718640000-1718647200@www.schoolofsound.co.uk SUMMARY:Richard Shannon: An Introduction to Audio Drama DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/richard-shannon-an-introduction-to-audio-drama/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2024/03/Richard-Shannon-380-square.jpg LOCATION:https://www.schoolofsound.co.uk/event/richard-shannon-an-introduction-to-audio-drama/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240608T150000 DTEND;TZID=Europe/London:20240608T170000 DTSTAMP:20240724T105259Z CREATED:20240408T091630Z LAST-MODIFIED:20240724T105259Z UID:10000038-1717858800-1717866000@www.schoolofsound.co.uk SUMMARY:Ray Beckett: Location Recording for Drama - The Audience Experience DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/ray-beckett-location-recording-for-drama-the-audience-experience/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2024/04/Ray-Beckett_cropped.jpg LOCATION:https://www.schoolofsound.co.uk/event/ray-beckett-location-recording-for-drama-the-audience-experience/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240604T150000 DTEND;TZID=Europe/London:20240604T170000 DTSTAMP:20240706T104014Z CREATED:20240307T100021Z LAST-MODIFIED:20240706T104014Z UID:10000032-1717513200-1717520400@www.schoolofsound.co.uk SUMMARY:Listening to Shadows: Seán Street explores the work of Piers Plowright DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/listening-to-shadows/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2024/03/Sean_Street_Author-768x1024-1.jpg LOCATION:https://www.schoolofsound.co.uk/event/listening-to-shadows/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240525T160000 DTEND;TZID=Europe/London:20240525T180000 DTSTAMP:20240528T191541Z CREATED:20240313T120851Z LAST-MODIFIED:20240528T191541Z UID:10000034-1716652800-1716660000@www.schoolofsound.co.uk SUMMARY:Steve Whitford: Part 2 DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/steve-whitford-part2/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2024/03/ID-high-res-Grey-background-16-9-copy-scaled.jpg LOCATION:https://www.schoolofsound.co.uk/event/steve-whitford-part2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240518T160000 DTEND;TZID=Europe/London:20240518T180000 DTSTAMP:20240521T222903Z CREATED:20240313T092644Z LAST-MODIFIED:20240521T222903Z UID:10000033-1716048000-1716055200@www.schoolofsound.co.uk SUMMARY:Steve Whitford: Part 1 DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/steve-whitford_part1/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2024/03/ID-high-res-Grey-background-16-9-copy-scaled.jpg LOCATION:https://www.schoolofsound.co.uk/event/steve-whitford_part1/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240512T170000 DTEND;TZID=Europe/London:20240512T190000 DTSTAMP:20240610T191955Z CREATED:20240325T181024Z LAST-MODIFIED:20240610T191955Z UID:10000037-1715533200-1715540400@www.schoolofsound.co.uk SUMMARY:Stuart Wilson: Features Location Sound Recording DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/stuart-wilson-features-location-sound-recording/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2024/03/DSC01070-S_Wilson_16.9_hires-scaled.jpg LOCATION:https://www.schoolofsound.co.uk/event/stuart-wilson-features-location-sound-recording/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240127T170000 DTEND;TZID=Europe/London:20240127T190000 DTSTAMP:20240906T203716Z CREATED:20230926T225122Z LAST-MODIFIED:20240906T203716Z UID:10000027-1706374800-1706382000@www.schoolofsound.co.uk SUMMARY:Rob Bridgett: Creative Game Sound Production: Leading with Sound DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/rob-bridgett-creative-game-sound-production-3/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/09/rob_bridgett_16by9.jpg LOCATION:https://www.schoolofsound.co.uk/event/rob-bridgett-creative-game-sound-production-3/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240120T170000 DTEND;TZID=Europe/London:20240120T190000 DTSTAMP:20240906T203838Z CREATED:20230926T230605Z LAST-MODIFIED:20240906T203838Z UID:10000026-1705770000-1705777200@www.schoolofsound.co.uk SUMMARY:Rob Bridgett: Creative Game Sound Production: Ludic Sound DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/rob-bridgett-creative-game-sound-production-2/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/09/rob_bridgett_16by9.jpg LOCATION:https://www.schoolofsound.co.uk/event/rob-bridgett-creative-game-sound-production-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240118T190000 DTEND;TZID=Europe/London:20240118T210000 DTSTAMP:20240728T132937Z CREATED:20231108T155802Z LAST-MODIFIED:20240728T132937Z UID:10000030-1705604400-1705611600@www.schoolofsound.co.uk SUMMARY:Tim Harrison\, Raoul Brand and Peter Strickland In Flux: The analogue and the digital in sonic storytelling DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/tim-harrison-raoul-brand-and-peter-strickland-in-flux-the-analogue-and-the-digital-in-sonic-storytelling/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/11/Flux-scaled.jpeg LOCATION:https://www.schoolofsound.co.uk/event/tim-harrison-raoul-brand-and-peter-strickland-in-flux-the-analogue-and-the-digital-in-sonic-storytelling/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240113T170000 DTEND;TZID=Europe/London:20240113T190000 DTSTAMP:20240906T203638Z CREATED:20230926T192334Z LAST-MODIFIED:20240906T203638Z UID:10000025-1705165200-1705172400@www.schoolofsound.co.uk SUMMARY:Rob Bridgett: Creative Game Sound Production: A Game Developer Primer DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/rob-bridgett-creative-game-sound-production/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/09/rob_bridgett_16by9.jpg LOCATION:https://www.schoolofsound.co.uk/event/rob-bridgett-creative-game-sound-production/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20231202T130000 DTEND;TZID=Europe/London:20231202T170000 DTSTAMP:20240323T111208Z CREATED:20231018T173735Z LAST-MODIFIED:20240323T111208Z UID:10000029-1701522000-1701536400@www.schoolofsound.co.uk SUMMARY:Gustavo Costantini: Music in Film - Part 2 DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/gustavo-costantini-music-in-film-2/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/10/Gustavo-Costantini-7180.jpg LOCATION:https://www.schoolofsound.co.uk/event/gustavo-costantini-music-in-film-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20231130T150000 DTEND;TZID=Europe/London:20231130T170000 DTSTAMP:20240711T133446Z CREATED:20230828T153546Z LAST-MODIFIED:20240711T133446Z UID:10000024-1701356400-1701363600@www.schoolofsound.co.uk SUMMARY:Martine Huvenne\, the Quay Brothers and Larry Sider: The Sound of 'Institute Benjamenta' DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/martine-huvenne-larry-sider-the-sound-of-the-quay-brothers-institute-benjamenta/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/08/sos_ib_forks_16.9.jpg LOCATION:https://www.schoolofsound.co.uk/event/martine-huvenne-larry-sider-the-sound-of-the-quay-brothers-institute-benjamenta/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20231128T200000 DTEND;TZID=Europe/London:20231128T220000 DTSTAMP:20241220T230822Z CREATED:20230815T105954Z LAST-MODIFIED:20241220T230822Z UID:10000021-1701201600-1701208800@www.schoolofsound.co.uk SUMMARY:Amie Siegel\, artist talk DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/amie-siegel/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/08/2022_01_13_Siegel_Amie_0049-Final_16.9-cropped-scaled.jpg ORGANIZER;CN="The School of Sound":MAILTO:sos@schoolofsound.co.uk LOCATION:https://www.schoolofsound.co.uk/event/amie-siegel/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20231125T130000 DTEND;TZID=Europe/London:20231125T170000 DTSTAMP:20240921T145819Z CREATED:20231018T172617Z LAST-MODIFIED:20240921T145819Z UID:10000028-1700917200-1700931600@www.schoolofsound.co.uk SUMMARY:Gustavo Costantini: Music in Film - Part 1 DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/gustavo-costantini-music-in-film/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/10/Gustavo-Costantini-7180.jpg LOCATION:https://www.schoolofsound.co.uk/event/gustavo-costantini-music-in-film/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20231123T150000 DTEND;TZID=Europe/London:20231123T170000 DTSTAMP:20240921T145717Z CREATED:20230824T000812Z LAST-MODIFIED:20240921T145717Z UID:10000022-1700751600-1700758800@www.schoolofsound.co.uk SUMMARY:Martine Huvenne & Nathalie Teirlinck: The Audiovisual Chord in Fiction Filmmaking DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/martine-huvenne-embodiment-in-sound-2/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/08/Nathalie-Teirlinck.jpg LOCATION:https://www.schoolofsound.co.uk/event/martine-huvenne-embodiment-in-sound-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20231027T180000 DTEND;TZID=Europe/London:20231027T200000 DTSTAMP:20231017T071014Z CREATED:20230814T211521Z LAST-MODIFIED:20231017T071014Z UID:10000019-1698429600-1698436800@www.schoolofsound.co.uk SUMMARY:Rana Eid: Mute/Unmute DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/rana-eid-mute-unmute/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/08/Portrait_cropped-scaled.jpg LOCATION:https://www.schoolofsound.co.uk/event/rana-eid-mute-unmute/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20231012T150000 DTEND;TZID=Europe/London:20231012T170000 DTSTAMP:20240711T133651Z CREATED:20230824T100558Z LAST-MODIFIED:20240711T133651Z UID:10000023-1697122800-1697130000@www.schoolofsound.co.uk SUMMARY:Martine Huvenne & Elias Grootaers: Sound in documentary film - A phenomenological attitude DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/martine-huvenne-embodiment-in-sound-3/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/08/Grootaers.jpg LOCATION:https://www.schoolofsound.co.uk/event/martine-huvenne-embodiment-in-sound-3/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20231005T150000 DTEND;TZID=Europe/London:20231005T170000 DTSTAMP:20240704T170141Z CREATED:20230117T233320Z LAST-MODIFIED:20240704T170141Z UID:10000010-1696518000-1696525200@www.schoolofsound.co.uk SUMMARY:Martine Huvenne: Embodiment in Sound DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/martine-huvenne-embodiment-in-sound/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/01/HUVENNE_foyer_2017_DSC6834-e1674822382433.jpg LOCATION:https://www.schoolofsound.co.uk/event/martine-huvenne-embodiment-in-sound/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20231004T200000 DTEND;TZID=Europe/London:20231004T220000 DTSTAMP:20240921T145553Z CREATED:20230727T201343Z LAST-MODIFIED:20240921T145553Z UID:10000016-1696449600-1696456800@www.schoolofsound.co.uk SUMMARY:James Hannigan: On being a screen composer for games\, television and audio drama DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/james-hannigan-on-being-a-screen-composer-for-games-film-and-audio-drama/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/07/James_Hannigan_Photo.jpg LOCATION:https://www.schoolofsound.co.uk/event/james-hannigan-on-being-a-screen-composer-for-games-film-and-audio-drama/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20230921T200000 DTEND;TZID=Europe/London:20230921T220000 DTSTAMP:20240921T145455Z CREATED:20230701T164324Z LAST-MODIFIED:20240921T145455Z UID:10000015-1695326400-1695333600@www.schoolofsound.co.uk SUMMARY:Stephen Deutsch: How (Not) To Become A Film Composer DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/how-not-to-become-a-film-composerstephen-deutsch/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/07/Deutsch.jpeg LOCATION:https://www.schoolofsound.co.uk/event/how-not-to-become-a-film-composerstephen-deutsch/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20230919T180000 DTEND;TZID=Europe/London:20230919T200000 DTSTAMP:20240921T145342Z CREATED:20230814T194512Z LAST-MODIFIED:20240921T145342Z UID:10000018-1695146400-1695153600@www.schoolofsound.co.uk SUMMARY:Sinéad Rushe: Polyphonic Characterisation DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/sinead-rushe-polyphonic-characterisation/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/08/SR-Portrait-White-2022.1-edit_cropped-scaled.jpg LOCATION:https://www.schoolofsound.co.uk/event/sinead-rushe-polyphonic-characterisation/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20230708T140000 DTEND;TZID=Europe/London:20230709T180000 DTSTAMP:20240711T142830Z CREATED:20230117T210937Z LAST-MODIFIED:20240711T142830Z UID:10000009-1688824800-1688925600@www.schoolofsound.co.uk SUMMARY:Gustavo Costantini: Sound Design and Audiovision Module 3: Music and cases of complex sound design DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/gustavo-costantini-sound-design-and-audiovision-3/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/01/gustavo-costantini-3A.jpg ORGANIZER;CN="The School of Sound":MAILTO:sos@schoolofsound.co.uk LOCATION:https://www.schoolofsound.co.uk/event/gustavo-costantini-sound-design-and-audiovision-3/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20230610T140000 DTEND;TZID=Europe/London:20230611T180000 DTSTAMP:20240711T142736Z CREATED:20230117T210840Z LAST-MODIFIED:20240711T142736Z UID:10000008-1686405600-1686506400@www.schoolofsound.co.uk SUMMARY:Gustavo Costantini: Sound Design and Audiovision Module 2: Sound design for spaces and locations DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/gustavo-costantini-sound-design-and-audiovision-2/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/01/gustavo-costantini-2A.jpg ORGANIZER;CN="The School of Sound":MAILTO:sos@schoolofsound.co.uk LOCATION:https://www.schoolofsound.co.uk/event/gustavo-costantini-sound-design-and-audiovision-2/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20230513T140000 DTEND;TZID=Europe/London:20230514T180000 DTSTAMP:20240711T142803Z CREATED:20230117T205600Z LAST-MODIFIED:20240711T142803Z UID:10000007-1683986400-1684087200@www.schoolofsound.co.uk SUMMARY:Gustavo Costantini: Sound Design and Audiovision Module 1: Approaches to sound design DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/gustavo-costantini-sound-design-and-audiovision/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/02/gustavo-costantini-1A.jpg ORGANIZER;CN="The School of Sound":MAILTO:sos@schoolofsound.co.uk LOCATION:https://www.schoolofsound.co.uk/event/gustavo-costantini-sound-design-and-audiovision/ END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20230429T180000 DTEND;TZID=Europe/London:20230429T200000 DTSTAMP:20240711T142540Z CREATED:20230227T143116Z LAST-MODIFIED:20240711T142540Z UID:10000014-1682791200-1682798400@www.schoolofsound.co.uk SUMMARY:Midge Costin and Guests: Hollywood Sound DESCRIPTION:In this talk\, we explore the provocative use of music and sound of one of the world’s most influential filmmakers. Delving into his work with sound designers such as Alan Splet\, Randy Thom and even himself (assuming the role)\, we discuss the symbolic use of textures\, the creation of atmospheres\, and sometimes surprising and even disconcerting use of music. We reveal the strategies that lie behind the construction of the whole soundtrack. From the ‘fake informative’ music present in many films\, up to complex audiovisual and sonic constructions\, we focus on clips from Blue Velvet\, Wild at Heart\, Lost Highway\, Mulholland Drive\, among others. 2 hours including Q&A.Tickets include unlimited access to a recording of the event. View three short films about Alan Splet by directors with whom he worked at Look on this website. \n \n \n \n \n \n \n \n \n \n \n GUSTAVO COSTANTINI \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Argentinean sound designer\, musician\, professor\, and researcher\, Gustavo received his PhD in Sound Design from the University of Buenos Aires (under the guidance of Michel Chion)\, and is now professor of Sound and Editing at the University of Buenos Aires (UBA) and at the National University of the Arts (UNA). As visiting professor he has taught at University of London (Goldsmiths and Royal Holloway)\, University for Creative Arts\, London Film School\, International Film School (Cologne\, Germany)\, European Film College (Ebeltoft\, Denmark)\, John Cabot University (Rome)\, and at ORT University and the University of La Republica (Montevideo\, Uruguay)\, among others. He has worked in cinema\, video\, theater\, and radio\, in Argentina and internationally. He was a member of the Editorial Board of The Soundtrack and The New Soundtrack journals\, along with Walter Murch\, Michel Chion\, Roberto Perpignani\, Carter Burwell\, among others. Previously\, he has delivered the ‘Sound Design and Audiovision’ and ‘Music in Film’ series for the School of Sound. URL:https://www.schoolofsound.co.uk/event/midge-costin-and-guests-hollywood-sound/ ATTACH;FMTTYPE=image/jpeg:https://www.schoolofsound.co.uk/wp-content/uploads/2023/02/Midge-Costin_1.77.jpeg ORGANIZER;CN="The School of Sound":MAILTO:sos@schoolofsound.co.uk LOCATION:https://www.schoolofsound.co.uk/event/midge-costin-and-guests-hollywood-sound/ END:VEVENT END:VCALENDAR