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Martine Huvenne & Nathalie Teirlinck
The Audiovisual Chord in Fiction Filmmaking

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In the third part of her series on embodiment in sound, Huvenne is joined by Belgian filmmaker Nathalie Teirlinck to focus on the necessity of integrating sound within scriptwriting, at the very beginning of a film's development. Using this type of creative strategy, sound as a dynamic movement and the superimposition of auditory and visual spaces become useful tools.

£10.00

Martine Huvenne:
Embodiment in Sound

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The Audiovisual Chord - In the first of a series, Huvenne sets out an approach to filmmaking as a composition of sound, music, speech and images. And within this approach, the embodied first person perspectives of both the listener/spectator and the creator each play crucial roles.

£10.00