Daily Archives: January 7, 2019


April programme: Neil Brand

Neil Brand has been a silent film accompanist for over 30 years, regularly in London, throughout the UK and at film festivals and special events around the world. Neil is also a prolific radio playwright including Sony – and Tinniswood – nominated dramas Stan and Getting the Joke, as well as establishing the regular live-recorded musical series The Big Broadcast.

He will present Adventures in the Missing Sense about his twin (and complementary) roles as silent film accompanist (creating sound for solo visuals) and radio playwright (creating visuals out of sound alone).          

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April Programme: Paul Davies

With a background in electronic music, Paul Davies graduated from the sound course of the National Film and Television School in 1993. Paul became a freelance supervising sound editor and sound designer and in 2003 he established his own  company, PDsoundDesign.

Paul is best known for his long-time collaboration with director Lynne Ramsay, having created the tracks for Ratcatcher, Morvern Callar, We Need to Talk About Kevin and her latest film, You Were Never Really Here. His other credits include Steve McQueens’s Hunger, John Maybury’s Love is the Devil and Stephen Frear’s The Queen.

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April Programme: Nigel Helyer

Dr Nigel Helyer (aka DrSonique) is a contemporary polymath whose work links Art and Science, or more accurately Poetics and Technics, in a strong embrace of the environment, identity and cultural history. He has an international reputation as a sculptor and sound-artist who creates large scale sound-sculptures, environmental artworks and inter-active projects that prompt the community to engage with their cultural histories, identity and sense of place; inviting us to examine the abstract conditions of our world and our complex relationships to it.

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April programme: Prof Morten Kringelbach

Professor Morten L Kringelbach directs his Hedonia Research Group based at the Universities of Oxford and Aarhus. His prize-winning research uses neuroimaging and whole-brain computational models of, for example, music, sounds, infants, taste, sex and drugs to find ways to increase hedonia and eudaimonia – pleasure and happiness. He will discuss the notions of space, empathy and happiness in relation to jazz.

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April programme: Rosalind Nashashibi

Rosalind Nashashibi studied art in Sheffield and at Glasgow School of Art. She was awarded the Beck’s Futures Prize in 2003, exhibited as part of Scotland + Venice at the 52nd Venice Biennale (2007) and, in 2017, was nominated for the Turner Prize.

She makes films which reveal the rhythms and patterns of everyday life, and explore the boundaries between reality and fiction. Although she uses real situations, Nashashibi is not interested in documenting real life in an anthropological manner. Rather, she is fascinated in the rituals played out by social groups, such as families, community groups and students.

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April programme: The Quay Brothers

Since 1979, the Quay Brothers have created a hybrid variety of film works: Puppet animation: Street of Crocodiles, Rehearsals for Extinct Anatomies, The Comb, Maska, Unmistaken Hands; Live-Action films: In Absentia, Institute Benjamenta and Piano Tuner of Earthquakes; Documentaries: Anamorphosis, The Phantom Museum, Through the Weeping Glass, Inventorium of Traces; and three film collaborations for the Ballet: Duet and The Sandman for Will Tuckett and with Kim Brandstrup, Eurydice: She, So Beloved.

In conversation with Larry Sider they will explore the ways in which music and sound give life to inanimate objects.

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April programme: Sinéad Rushe

Theatre director Sinéad Rushe studied at Trinity College, Dublin, Ireland, École Normale Supérieure, Paris, France before training as an actor at The Royal Central School of Speech and Drama, London, UK where she currently teaches on the BA Acting CDT programme. She specialises in the Michael Chekhov Technique and Meyerhold’s Biomechanics.

Sinéad will discuss her recent theatre production of Bernard-Marie Koltès’s play Night Just Before the Forests for the Macau Arts Festival in China. Performed in the round, this pathbreaking work in a new translation reimagines the original monologue as a polyphonic work for five performers of different nationalities and genders, and features a ‘quadraphonic’ live sound design by German sound artist Niels Lanz.

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April programme: Rina Sherman

Rina Sherman is a filmmaker, ethnographer and photographer. She studied with Jean Rouch, under whose supervision she completed a doctorate with distinction at the Sorbonne in 1989.

In her School of Sound presentation, Rina will define her ideas around the recording and editing of sound for ethnographic films.

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SHERMAN

April programme: Peter Vuust

Peter Vuust is a unique combination of a jazz musician and a world class scientist. As a researcher, he is Denmark’s leading expert in the field of music and the brain – a research field he has single-handedly built up as leader of the group Music In the Brain. As a composer and bass player he has collaborated with a variety of artists, from Danish pop stars to some of the world’s major, international jazz artists. Peter will focus on improvisation in Groove on the brain – the jazz improviser’s guide to the brain.

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