5 April 2013
Pat Jackson, Supervising Sound Editor whose credits include Jarhead, The Talented Mr Ripley, A Bug’s Life, The Godfather Part II and The English Patient, presents The Discriminating Ear, focusing our attention on how we hear the real world and the level of audio detail needed for a film world. She is currently Professor for Cinema at San Francisco State University.
References with running time from DVD (where available)
Pat Jackson, Supervising Sound Editor whose credits include Jarhead, The Talented Mr Ripley, A Bug’s Life, The Godfather Part II and The English Patient, presents The Discriminating Ear, focusing our attention on how we hear the real world and the level of audio detail needed for a film world. She is currently Professor for Cinema at San Francisco State University.
References:
Jarhead (Sam Mendes 2005) 01:14:29 – 01:15:50
The Social Network (David Fincher 2010) 00:03:35 – 00:04:32
Like Someone in Love (Abbas Kiarostami 2012) 00:05:20 – 00:07:35 (opening title sequence)
Blockade (Sergey Loznitsa 2006)
Hemingway and Gellhorn (Philip Kaufman 2012) 01:36:39 – 01:39:21
Titanic (James Cameron 1997) 01:16:36 – 01:19:04
Microcosmos (Claude Nuridsany, Marie Pérennou 1996)
K-19: The Widowmaker (Kathryn Bigelow 2002) 00:35:33 – 00:37:19