10 April 2015
Sellars’ interest in sound stems from his time studying with Ivan Tcherepnin in Harvard’s Electronic Music Studio. After that, his first job was a sound recordist. In this talk, via videolink from Los Angeles, the iconoclastic theatre and opera director explains his very personal approach to sound, it’s basis in spiritual philosophy and classic theatre and his belief in breaking the slave/master relationship between sound and image.
Reaching Across the Horizon of Time