Here you can explore a collection of articles that cover what might be called the theory of sound practice, the thinking and concepts that guide sound production.
Most of the papers were originally published in The Soundtrack and The New Soundtrack journals. Added to them are pieces from a wide range of books, periodicals and online sources that complement the other parts of this website.
We invite scholarly contributions of at least 3000 words. If they have been previously published please provide proof of permission to reprint. Send Word or Pages files (not PDFs) to [email protected]
These articles explore the relationship of music with moving pictures from a practice-based viewpoint, encouraging composers and other filmmakers to understand not merely how music can be applied to moving images, but when and why it should be used.
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