Midge Costin, director/producer of Making Waves: The Art of Cinema Sound, and four masters of American film sound, discuss the current state of Hollywood soundtrack production.
Module 1: Approaches to sound design
Saturday-Sunday, 13-14 May, 2:00 PM - 6:00 PM (BST London) each day
Module 2: Sound design for spaces and locations
Saturday-Sunday, 10-11 June, 2:00 PM - 6:00 PM (BST London) each day
Tickets can be purchased independently of Module 3.
Module 3: Music and Cases of Complex Sound Design
Saturday-Sunday, 8-9 July, 2:00 PM - 6:00 PM (BST London) each day.
Tickets can be purchased independently of Module 2.
Amie Siegel works variously across film, photography, performance, and sculpture, exposing and connecting multiple strata of meaning. The artist will discuss her unique approach to sound, music and the plasticity of the film medium, including recent works The Silence (2022), Asterisms (2021) and Winter (2013).
Basically, this is about moving sound from the caboose of the train to the engine.
Here we deconstruct the provocative use of music and sound of one of the world’s most influential filmmakers, exploring his work with sound designers such as Alan Splet, Randy Thom and even himself (assuming the role).
In ‘Soundtrack to a Coup d’Etat’, the music emerges as the lead character of the film, cast as an historical agent of change. The film's soundtrack and Grimonprez's earlier works will be discussed in this 2-lecture series.
In ‘Soundtrack to a Coup d’Etat’, the music emerges as the lead character of the film, cast as an historical agent of change. The film's soundtrack and Grimonprez's earlier works will be discussed in this 2-lecture series.
