Stephanie Loveless Seminar
This event has been cancelled and will be rescheduled later in the year.
This event has been cancelled and will be rescheduled later in the year.
Three leading artists from sound and music explore ways to end the traditional battle between sound design and music.
Nina leads an in-depth roundtable discussion that unpacks the ideas introduced in her earlier talk, further examining the thinking, techniques, and critical choices behind her work.
In this virtual round-table format, Peter will continue his discussion on how to create a character's silent world. Note change of date to 29th.
When you feel you’re hearing what a character hears, you form an immediate psychological connection, a visceral bond — one that bypasses logic and language to reach us on a deeper level.
This small, virtual seminar allows the group to follow-up Walter's earlier online talk with a more detailed discussion of the concepts he introduced.
An insight into Deep Listening, a practice of expanded sonic and sensory awareness developed by composer Pauline Oliveros.
Oscar-winning Supervising Sound Editor known for her work on Bohemian Rhapsody, Gravity and the groundbreaking documentary Deaf President Now!
A virtual roundtable discussion where participants can meet with Paul and examine his ideas and practice in a more detail.
Within the world of film education—through classes, masterclasses, lectures, seminars and online presentations—few voices are as captivating and enlightening as that of Walter Murch.
Using sound to create emotional narratives and subjective space, in the films of Ramsay, McQueen, Maybury and Glass.
Following on from her online talk (October 18th), you can meet with Rana to explore her ideas more closely in a roundtable format.
Rob leads a small-group seminar where participants can engage with his ideas and artistic practice in a more personal setting. By application.
Award-winning Lebanese sound designer Rana Eid describes her creative process that embodies both aesthetic choices and political statements.
From the cinema and art gallery to the laptop and mobile phone, how are films experienced in different acoustic spaces and playback contexts?
What is the essence of a successful creative collaboration and how to make it happen.
Sound designer Jonathan Webb reflects on the "sonic storyboards" he crafted in collaboration with writer-director Joanna Hogg as part of sound-focused, pre-production research on the places, characters, and narrative being prepared for the screen.
Electronic music pioneer Laurie Spiegel and artist film-maker Aura Satz discuss 'Preemptive Listening,' the collaborative process whereby the score and sound came into existence prior to the film.
Composer, sound designer, writer and performance maker Melanie Wilson will share her inter-disciplinary approach to sound making for theatre and new music.
In ‘Soundtrack to a Coup d’Etat’, the music emerges as the lead character of the film, cast as an historical agent of change. The film's soundtrack and Grimonprez's earlier works will be discussed in this 2-lecture series.